Salma Hayek Wears Alexander McQueen on InStyle

　　

　　

　　Salma Hayek Pinault graces InStyle's June cover in Alexander McQueen Spring 2010. Photographed for InStyle by David Slijper

　　Salma Hayek Pinault is certainly living the dream life.

　　Not only does the 43-year-old mother of 2-year-old Valentina have a body most twentysomethings crave, but she's also married to one of the most powerful men in fashion, Francois-Henri Pinault, the CEO of PPR.

　　Fortunately, for those of us wanting to live vicariously, Hayek Pinault (yes, that's her new moniker) is opening up about her real-life fashion fairy tale in InStyle's June issue, which hits newsstands May 21.

　　On the cover of the glossy, Hayek Pinault dons one of the iconic snakeskin print dresses from the late Alexander McQueen's Spring 2010 collection (PPR owns 50 percent of McQueen through its Gucci Group subsidiary).

　　Oddly enough, she wore an identical dress at Vanity Fair's famed Oscar Party in March. We guess even fashion royalty (through marriage) can't say no to doubling up on a great garment.

　　The Mexican-born actress, who also shines inside the magazine in a curve-hugging purple evening gown, explains why she recently decided to tag her husband's last name onto her own.

　　

　　Salma stuns in a form-fitting magenta gown. Photographed for InStyle by David Slijper

　　"It was Valentina's request," Hayek Pinault explains. "I didn't think about it until she brought it up. We were shooting a film, and she saw my chair with my name on it. She said, 'What does it say there?' And I said, 'Salma Hayek.' And she said, 'What about Pinault? Why not Pinault?' Because here people say 'Madame Pinault.'

　　"I said to myself, 'This is who I am now. I'm starting a whole new life. I've never been happier. Why shouldn't I share it with the people who have been supporting me my whole career, who have been with me since the beginning?' I'm a private person, but I should let them in on the fact that I'm a different person, and a better person. It's a new life."

　　And, with a closet full of YSL, Gucci, Balenciaga, and McQueen, a much more fashionable one at that.

　　To read more about the actress, pick up the new issue of InStyle this Friday.

　　In other magazine news, Megan Fox is baring her unibrow in Allure.

British fashion icon Alexander McQueen commits suicide days after death of his beloved mother

　　

　　British fashion designer Alexander McQueenwas discovered dead today after taking his own life.

　　The industry was left reeling after the 40-year-old's suicide this morning, which comes just days after the death of his beloved mother, Joyce.

　　It is also just three years since his close friend, style guru Isabella Blow - who plucked him from obscurity and helped him become a star - killed herself.

　　McQueen, who was christened Lee but used his middle name as a designer, was found at his luxury flat in Mayfair, central London. It is believed he hanged himself.

　　One of his lines, McQ, was due to be shown at New York Fashion Week this afternoon but the show has now been cancelled.

　　

　　Grieving:  Alexander McQueenwith his mother Joyce in 2001. She died last week, days before his suicide in London this morning

　　Police were called to the designer's £640,000 flat at 10.20am this morning after he was found dead. A private ambulance arrived to take away his body at 4.30pm.

　　Not long before it was taken away, a man with short blond hair who looked distraught and said he was McQueen's boyfriend, went inside.

　　Undertakers brought out the designer's body on a stretcher, covered in a maroon blanket.

　　The blond man came outside and waited, watching the door. He wiped tears from his eyes as he spoke on his mobile phone.

　　There were also tearful scenes at the designer's company headquarters in Farringdon, where staff were overcome with emotion.

　　A security guard said: This is a very difficult day.'

　　In a statement, the company said: 'On behalf of Lee McQueen's family, Alexander McQueen today announces the tragic news that Lee McQueen, the founder and designer of the Alexander McQueen brand, has been found dead at his home.

　　'At this stage it is inappropriate to comment on this tragic news beyond saying that we are devastated and are sharing a sense of shock and grief with Lee's family.

　　'Lee's family has asked for privacy in order to come to terms with this terrible news and we hope the media will respect this.'

　　

　　The fashion designer is believed to have hanged himself

　　

　　Top designer: McQueen with models Naomi Campbell and Kate Moss

　　McQueen, CBE and four time winner of the British Designer of the Year award, was very close to his mother, a genealogist, and had taken her death last week very badly.

　　Posts on his Twitter page in recent days reveal that he had been battling to cope with his grief.

　　On February 3rd, he wrote: 'I'm letting my followers know my mother passed away yesterday if it she had not me nor would you RIP mumxxxxxxxxxxxxxxxxxxxxxxxxxxx...'

　　Moments later, he added: 'But life must go on!!!!!!!!!!!!!!'

　　Then on Sunday, he said: 'Sunday evening been a ****ing awful week but my friends have been great but now i have to some how pull myself together and finish with the HELLS ANGLES & PROLIFIC DEAMONS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!'

　　He appeared to have recovered slightly by this week. His final message, posted on Tuesday, said: 'I'm here with my girl annie tinkerbell wishing kerry the **** happy birthday in NY, your 40 now girl time to slow it down we think.'

　　However, posts before his mother died also hint that he was having troubles. On February 1st, he wrote: 'From heaven to hell and back again, life is a funny thing. beauty can come from the most strangest of places even the most disgusting places.'

　　His mother had interviewed him for a newspaper in 2004 and asked him: 'What is your most terrifying fear?', to which he replied: 'Dying before you.' She said: 'Thank you, son.'

　　Two police officers were outside the entrance to his flat, which is in a six-storey red-brick building, this afternoon.

　　Scotland Yard said police were called to the property by the London Ambulance Service at 10.20am after reports a man had been found dead.

　　A police statement said: 'Next of kin have been informed, however we await formal identification. A post mortem will be scheduled in due course, an inquest will open and adjourn in due course. The death is being treated as non suspicious.'

　　'At one level, he was a master of the fantastic, creating astounding fashion shows that mixed design, technology and performance and on another he was a modern-day genius'

　　Vogue editor, Alexandra Shulman

　　'What a terrible, tragic waste.'

　　Katherine Hamnett

　　'He was a genius and his talent was second to none.'

　　Matthew Williamson

　　'He leaves the fashion world with an unfillable void.'

　　Dolce & Gabbana

　　Born in the East End and the son of a taxi driver, McQueen started as an apprentice at in Savile Row at the age of 16, where he made suits for Prince Charles.

　　He was famously first discovered as a designer in the 90s by Isabella Blow, the style guru and fashion director of Tatler, who killed herself in May 2007 by taking weed killer after being diagnosed with ovarian cancer.

　　She bought all the clothes he made for his graduate show for £5,000. They were delivered to her in black binliners.

　　With his ultra-short hair and Doc Marten boots and his penchant for shock tactics in his early catwalk shows, he was initially the 'enfant terrible' of the fashion world.

　　There was a stir when he was made head designer at Givenchy in 1996, succeeding John Galliano.

　　He later joined forces with Gucci, who bought 51 per cent of his company.

　　His hugely successful career brought him numerous awards, including British designer of the year four times between 1996 and 2003 and the International Designer of the Year at the Council of Fashion Designer Awards. He received an CBE in 2003.

　　Openly gay, McQueen once described himself as the 'pink sheep of the family'.

　　He once said: 'I was sure of myself and my sexuality and I've got nothing to hide. I went straight from my mother's womb onto the gay parade.'

　　He married his partner, film-maker George Forsyth in 2000 on a yacht owned by the prince of Gambia in Ibiza. Close friend Kate Moss was a bridesmaid.

　　But, according to an interview with the New York Times last February, he was single again and had started seeing a porn star - identified only by 'his porn nom de famille Mr Stag'.

　　

　　Close: Alexander McQueen with Isabella Blow in 2003

　　

　　Grief: McQueen, right, at Isabella Blow's funeral service in 2007

　　Within minutes of the Mail breaking the news of his death this afternoon, Twitter was awash with thousands of stunned posts.

　　Leading lights of the fashion world also began to pay tribute, led by Moss.

　　A statement released on her behalf said: 'Kate is shocked and devastated at the tragic loss of her dear friend Lee McQueen. Her thoughts are with his family at this sad time.'

　　Alexandra Shulman, editor of Vogue, said: 'Lee McQueen influenced a whole generation of designers. His brilliant imagination knew no bounds as he conjured up collection after collection of extraordinary designs.

　　'At one level, he was a master of the fantastic, creating astounding fashion shows that mixed design, technology and performance and on another he was a modern-day genius whose gothic aesthetic was adopted by women the world over. His death is the hugest loss to anyone who knew him and for very many who didn't.'

　　Sue Whiteley his former CEO at McQueen said: 'This is devastating news. He was an unforgettable part of my life. He was a talent who was beyond others. People who worked with him would give 100 per cent and more because he was totally inspiring. This is an unimaginable loss for the fashion world.

　　'He was able to bring creativity to whatever he turns his hand to, from perfume bottles to every piece of clothing. It is a dark, dark day to hear this news. he was a British icon in fashion whose loss is unimaginable.'

　　

　　The final tweet: McQueen's Twitter page, with his last post, left on Tuesday

　　

　　A single rose left outside the Alexander McQueen store in Old Bond Street

　　Designer Katherine Hamnett said: 'He was a genius. What a terrible, tragic waste.'

　　Dolce & Gabbana said: 'We are deeply touched for the sudden death of Alexander McQueen, a designer whom we have always admired for his creative genius and unmatched inspiration. He leaves the fashion world with an unfillable void.'

　　Designer Matthew Williamson said: 'I am shocked and deeply saddened by McQueen's death. He was a genius and his talent was second to none. Like many others, I always cited him as a hugely inspirational leader of world fashion. He will be greatly missed.'

　　Victoria Beckham, who is frequently photographed wearing McQueen designs, said: 'McQueen was a master of fashion, creative genius and an inspiration.

　　'Today the fashion industry has lost a true great. An icon of all time. He made all he touched beautiful and will be desperately missed.

　　'My heart is very much with his family and friends at this very sad time.'

　　

　　McQueen with his CBE outside Buckingham Palace in October 2003

　　A spokesman for the magazine publisher Conde Nast described the news as 'so sad' and said the company was 'quite devastated'.

　　The British Fashion Council said: 'We are deeply saddened at the news of Alexander McQueen's untimely death. He was a unique talent and one of the world's greatest designers. Our thoughts are with his friends and family at this sad time.'

　　Culture Secretary Ben Bradshaw added: Alexander McQueen made an outstanding contribution to British fashion. His extraordinary talent and creativity mean that his designs are adored not just by followers of haute couture but lovers of great style everywhere. This is a great loss to one of Britain's most successful industries and to the design world more widely.'

　　Fashion consultant Alice Smith, who arrived at McQueen's home with a bunch of flowers today, said: 'I have known Alexander since his first collection. He was a lovely man and the best fashion designer in the world.

　　'No one can beat him, no one will ever be as good as him. He was a charming man but also quite fragile.'

　　The designer was the youngest of six children.

　　He left school at 16 and went to work at Savile Row’s Anderson & Sheppard, whose clients included Prince Charles and Mikhail Gorbachev, after he saw a television program about the apprentice shortage in traditional tailoring.

　　He went on to work for Gieves & Hawkes, theatre’s famous Angels & Bermans costumiers, and then worked in Japan and Italy.

　　He returned to London in 1994, hoping to work as a pattern cutter tutor at London’s prestigious Central Saint Martins fashion school.

　　Thanks to the strength of his portfolio, he was persuaded to enrol in the course himself.

　　After graduating McQueen set up his own label based in the East End of London and it was then that he was spotted by Blow.

　　McQueen was forced to deny rumours of a rift between the pair at the time of her death, saying: ‘It’s so much b******s. These people just don’t know what they’re talking about. They don’t know me. They don’t know my relationship with Isabella. It’s complete bull****.

　　'People can talk; you can ask her sisters.… That part of the industry, they should stay away from my life, or mine and Isabella’s life. What I had with Isabella was completely disassociated from fashion, beyond fashion.’

　　

　　McQueen with actress Sarah Jessica Parker in New York in 2006

　　

　　McQueen with singer Janet Jackson at his store opening in LA in 2008

　　He was so distraught at her suicide that he dedicated his spring summer 2008 show at Paris fashion week to his late friend.

　　The invites to the show were poster-size illustrations Richard Gray. It depicts a triumphant Blow, in a McQueen dress and a Philip Treacy headdress, in a horse-drawn carriage ascending to heaven.

　　Miss Blow had said: 'My relationship with McQueen began in 1994, when I went to a Saint Martins graduate show. I couldn't get a seat, so I sat on the stairs and I was just watching, when I suddenly thought: I really like those clothes, they are amazing. It was his first collection.

　　‘It was the tailoring and the movement which initially drew me to them. I tried to get hold of him and I kept calling his mother, but he was on holiday.

　　She kept saying: 'He's not here, he's not here.' She told him: 'This crazy person is trying to get hold of you.' I eventually got to meet him and I decided to buy the collection: I bought one thing a month and paid him £100 a week. He'd bring an outfit in a bin liner, I'd look at it and then he'd come to the cashpoint with me.’

Singer Laura Marling and the Rise of Slow Pop

　　

　　

　　

　　Kyle Chayka

　　Laura Marling is reading a book about different kinds of love. "It's like a critical study of the various different ways that we experience and give love," she says in her crisp British accent. "Why I'm really enjoying reading it is because I'm taking it very slowly and understanding everything it says and forming my own opinion of it." A 20 year-old pop star admitting to taking the time to digest a book, much less a taxonomy of love written in the 1950s, is not exactly a common occurrence. But Laura Marling does a lot of things differently.　　

Though she has already been nominated for the Mercury Prize, hailed as a star of the burgeoning British folk scene as well as the mainstream music world, and put out two albums in three years after getting signed at age 16, Marling takes things slowly. The same thought that goes into her careful speech goes in to her songs, graceful accounts of failed relationships and obsessions, hope and fear and every different kind of love. Her latest album, I Speak Because I Can, is a collection of pop music defined not by glossy hooks or brand names but by the artistry of its musicianship and the care of its creator.

　　It takes some investment to listen to Marling's songs. When "Rah-rah-ah/Roma, Roma-ma/GaGa, ooh lala" counts as the defining chorus of our musical milieu, it's refreshing to listen to an album that rewards repetition with something deeper than surface appeal. Out of Laura's lyrics drift poetic couplets like the resounding oath of "Goodbye England (Covered in Snow)," "I only believe that true love is frail / And willing to break," or the fleeting narrative of "Made by Maid, "So left to wander blind, I find myself in cautious times / And they say, Love's labors never lost; labor on to this very day." These are gems that take time to unearth out of the music.

　　Not content with tunes easy on the ears and lighter on the mind, Marling enjoys that her songs can be read and re-interpreted—"keeping it hazy," as she put it in an interview before her Cambridge concert last week. From a collage of inspiration, bits of literature, and a newfound hobby of "collecting really good facts" come songs like I Speak Because I Can, the title track retelling of the Odyssey from Penelope's perspective, or "What He Wrote," a song that stemmed from a series of icy letters between a wife and a husband sent to fight in World War II. But nor are Marling's songs so overwhelmingly literary as all that. Her stories are spun into universal words held together by a voice, both vocal and writerly, that is delicately poetic but strong and unsparing.

　　The complex pleasure of Marling's songs is not unique to her; it just comes appreciated at a time when most popular music is defined by single, ecstatically pleasurable flashes in the aesthetic pan. From artists like Joanna Newsom and Andrew Bird to Grizzly Bear, The National and The Tallest Man on Earth, a growing group of popular musicians don't seem to feel the same need as Lady Gaga or Ke$ha to refer to themselves in the third person or pound out huge choruses hidden behind auto-tune.

　　It's not that these musicians don't aspire to fame; they're just not bent on seeking out the psychotic grandeur of pop superstardom. Instead, they are letting the growth of their music take the lead, and it shows. Slow Pop is a different kind of mainstream than the last decades of bubblegum and hip-hop have brought us, harkening back to a time when concept albums were cool and guitar playing was more important than a band's stage show. I'm guessing in the coming years we will be seeing a lot more of Marling and musicians like her—stars as well as cultural icons who don't need to wear an Alexander McQueen dress and lobster boots to play a gig.

　　"Do I write for myself, or do I write for other people?," Marling muses. "I guess I must write for other people, because why would I bother otherwise? If I was writing a diary, which I don't, I don't think I could write it without thinking that other people might read it. I think your most intimate thoughts are only honest when they're in your head. I don't think you can ever be truly honest to yourself if you're putting something out of your head, because then it's out of you." Marling's music is pushed by the fight to find her own honest identity through music, which might be a little easier to relate to, and share in, than a narcissistic struggle to become as famous as possible as fast as possible.

　　Marling played to a packed church in Harvard, wooden pews lined with fans ranging from high school students to elderly couples, all dead silent for the slight figure on stage and her backing band. There were no light shows save votive candles strung down from the high ceiling on wrought chains, no stage tricks or floor show. But music filled the church's vaulted atrium, and it was the beauty of that music, the clarity of Marling's voice and the pinpricks of her lyrics that transfixed us all. Plain and simple.

Singer Laura Marling and the Rise of Slow Pop

　　

　　

　　

　　Kyle Chayka

　　Laura Marling is reading a book about different kinds of love. "It's like a critical study of the various different ways that we experience and give love," she says in her crisp British accent. "Why I'm really enjoying reading it is because I'm taking it very slowly and understanding everything it says and forming my own opinion of it." A 20 year-old pop star admitting to taking the time to digest a book, much less a taxonomy of love written in the 1950s, is not exactly a common occurrence. But Laura Marling does a lot of things differently.　　

Though she has already been nominated for the Mercury Prize, hailed as a star of the burgeoning British folk scene as well as the mainstream music world, and put out two albums in three years after getting signed at age 16, Marling takes things slowly. The same thought that goes into her careful speech goes in to her songs, graceful accounts of failed relationships and obsessions, hope and fear and every different kind of love. Her latest album, I Speak Because I Can, is a collection of pop music defined not by glossy hooks or brand names but by the artistry of its musicianship and the care of its creator.

　　It takes some investment to listen to Marling's songs. When "Rah-rah-ah/Roma, Roma-ma/GaGa, ooh lala" counts as the defining chorus of our musical milieu, it's refreshing to listen to an album that rewards repetition with something deeper than surface appeal. Out of Laura's lyrics drift poetic couplets like the resounding oath of "Goodbye England (Covered in Snow)," "I only believe that true love is frail / And willing to break," or the fleeting narrative of "Made by Maid, "So left to wander blind, I find myself in cautious times / And they say, Love's labors never lost; labor on to this very day." These are gems that take time to unearth out of the music.

　　Not content with tunes easy on the ears and lighter on the mind, Marling enjoys that her songs can be read and re-interpreted—"keeping it hazy," as she put it in an interview before her Cambridge concert last week. From a collage of inspiration, bits of literature, and a newfound hobby of "collecting really good facts" come songs like I Speak Because I Can, the title track retelling of the Odyssey from Penelope's perspective, or "What He Wrote," a song that stemmed from a series of icy letters between a wife and a husband sent to fight in World War II. But nor are Marling's songs so overwhelmingly literary as all that. Her stories are spun into universal words held together by a voice, both vocal and writerly, that is delicately poetic but strong and unsparing.

　　The complex pleasure of Marling's songs is not unique to her; it just comes appreciated at a time when most popular music is defined by single, ecstatically pleasurable flashes in the aesthetic pan. From artists like Joanna Newsom and Andrew Bird to Grizzly Bear, The National and The Tallest Man on Earth, a growing group of popular musicians don't seem to feel the same need as Lady Gaga or Ke$ha to refer to themselves in the third person or pound out huge choruses hidden behind auto-tune.

　　It's not that these musicians don't aspire to fame; they're just not bent on seeking out the psychotic grandeur of pop superstardom. Instead, they are letting the growth of their music take the lead, and it shows. Slow Pop is a different kind of mainstream than the last decades of bubblegum and hip-hop have brought us, harkening back to a time when concept albums were cool and guitar playing was more important than a band's stage show. I'm guessing in the coming years we will be seeing a lot more of Marling and musicians like her—stars as well as cultural icons who don't need to wear an Alexander McQueen dress and lobster boots to play a gig.

　　"Do I write for myself, or do I write for other people?," Marling muses. "I guess I must write for other people, because why would I bother otherwise? If I was writing a diary, which I don't, I don't think I could write it without thinking that other people might read it. I think your most intimate thoughts are only honest when they're in your head. I don't think you can ever be truly honest to yourself if you're putting something out of your head, because then it's out of you." Marling's music is pushed by the fight to find her own honest identity through music, which might be a little easier to relate to, and share in, than a narcissistic struggle to become as famous as possible as fast as possible.

　　Marling played to a packed church in Harvard, wooden pews lined with fans ranging from high school students to elderly couples, all dead silent for the slight figure on stage and her backing band. There were no light shows save votive candles strung down from the high ceiling on wrought chains, no stage tricks or floor show. But music filled the church's vaulted atrium, and it was the beauty of that music, the clarity of Marling's voice and the pinpricks of her lyrics that transfixed us all. Plain and simple.

Cannes red carpet sizzlers

13 May 2010 - 13:03
By Charis Apelgren

Robin Hood star Cate Blanchett swept down the red carpet and up the red carpeted steps in an astounding Alexander McQueen gown.

Meanwhile, guests of the film included Salma Hayek (wearing a burgundy Gucci Premiere collection gown), Eva Longoria Parker (donning an chiffon Emilio Pucco floor-length frock with an impossibly long train), and Kate Beckinsale (in a stunning light blue, ruffled skirt Marchesa number).

Salma Hayek

Jean-Claude Van Damme and Gladys Portugues

Kate Beckinsale

Hofit Golan

Eva Longoria Parker and Aishwarya Rai Bachchan

Romanian designs 12 inch stilettos

A Romanian footwear designer, Mihai Albu, has introduced new pair of sandals in the market that helps raise the height of a woman by 12 inches (31 centimetres). Although these stilettos are compared with skyscrapers due to their towering heels, it might also have something to do with their price, as in a country where the average wage of an individual is Euro 450 (US $575) these handmade stilettos are priced at Euro 1,200 ($1,525) According to Albu, apart from being fashionable, long heels are advantageous for women who don’t have long legs and also help reposition the waist. Last month, boutiques in Washington displayed an array of footwear mainly platforms, which were only 1.5 inches (3.8 centimetres) and the stilettos were 4.5 inches (11.4 centimetres) in height. However, as per a chief editor of a fashion magazine, late British designer, Alexander McQueen died in February this year and for his last collection he had used, 12 inches heels. More so, this editor also informed that, although they might look impractical, but there existed women who were brave enough to carry them, which in turn created attention for them and the designer. Since he was an architect before, Albu now blends maths, architecture and art in his creations that make his footwear look more like sculptures than regular footwear. He utilises French leather and styles it with jewels, mirrors, taps and feathers, which attract Romanian women to their evergreen love affair. Despite being highly-priced, according to Albu, his order books are getting full with dozens of orders for his new-footwear collection. Other than its height, Albu’s footwear also depicts various designing facets depending on the angle, such as his new creation is a 12.2 inch (31 centimetre) stiletto made out of three black wedge sandals and it comes only in small sizes.

Designer Spotlight: Central Saint Martins’ Thomas Tait

　　

　　The Canadian designer on androgyny as a trend and debuting his looks at London Fashion Week

　　

　　Photo: Courtesy of the designer

　　Established 21 years ago when the Central School of Art & Design merged with Saint Martin’s School of Art, London’s Central Saint Martins (CSM) is one of the premier academic institutions for the arts in the world, counting among its distinguished alumni the late great Alexander McQueen, John Galliano, Stella McCartney, Hussein Chalayan, singer-songwriter Sade and actors Pierce Brosnan and Colin Firth. A veritable goldmine of talent with a student body small enough (approximately 5,000 undergraduate and graduate students) to really champion its most promising young artists, CSM is, as one recent graduate told me, “a very special place.”

　　Nowhere is CSM’s support of its recently graduated own more apparent than it is with fashion designers, a small group of whom are selected each year (by Professor Louise Wilson) from the graduating Masters class to debut 10 looks from their first collection during London Fashion Week. Among this year’s group of 18 was 22-year-old Montreal native Thomas Tait, whose angular, all-black creations stood out not just for their aesthetic originality but also for their remarkable sophistication and strong, collective cohesiveness.

　　I got to speak with the Canadian designer recently about many things, including how he found out his clothes would be on the runway at London Fashion Week, how he feels about androgyny as a trend, and why he’d love it if someone paired one of his brushed wool overcoats with mesh basketball shorts. Plus, I had to inquire about those monster heels his models wore during the show. Apparently, Tait has a skilled eye for accessories, too, as the near 6-inch aqua/lime platform booties were his own original design.

　　Enjoy!

　　Have you always wanted to pursue a career in fashion, or were there other stops along the way?

　　No, I didn’t, and sometimes I wish I had that great childhood story involving fashion, ateliers, and dressmaking but I just don’t. I grew up in the suburbs of Canada and was never really exposed to fashion. I think it's one of those things that happened inevitably—fashion design is something I have a natural ability for.

　　Which aspect of the design process do you enjoy most?

　　I have to say sketching and gathering rough, initial ideas is usually my favorite part of the process. In those early stages, you really begin to tap into the general mood and idea behind the work. It’s usually at this point that I capture a mental image of what I aim to reproduce within the collection and presentation. The process of creation that follows feels a bit like a hunt, like I’m chasing after a particular moment that only exists in my memory.

　　In what and where did you do your formal training before you arrived at CSM?

　　I never went to art school before applying to the MA program at CSM! It was a bit of a gamble, but now I see all the technical knowledge I acquired along the way, like cutting patterns and sewing, was invaluable.

　　You design and cut patterns and sew?

　　I do. I cut all of my patterns and do most of the construction myself. This makes the process quite labor intensive but it also gives me full control over every piece. I like knowing that I can shape each garment with my own hands and assure that everything turns out exactly as I have envisioned it.

　　Describe the moment when you found out your collection would be included in the show during London Fashion Week.

　　I was standing in front of our course director, Louise Wilson, and one of my tutors. It was during a six-outfit lineup and I hadn’t slept in about 3 days. I was a bit of an exhausted mess. Louise casually asked my tutor if I had made it into the show, and she responded by shrugging. Louise then turned to me I told me I had made it, and that was that! I was relieved and also very happy to know a full week before the official selection list went up outside Louise’s office.

　　The 10 pieces you presented were very angular, a little on the androgynous side, and exclusively black (which I love!)—what was the concept?

　　First, let me say that I love color! Black is not a rule to me. My MA collection turned out all-black because that’s how it developed. Color is not immediately noticeable in my work, but I do have a strong attachment to it. I would prefer to take my time and integrate color into my collections gradually.

　　As for the angular nature of the clothes, this collection in part stemmed from my fascination with shoulder blades and pelvic bones. I usually envision silhouettes as a result of my study of form and proportion. I develop fixations with certain parts of the body and visualize silhouettes from that.

　　What materials did you work with to create that strong structure?

　　Brushed wool and cashmere blends, mostly. I like it when a fabric can be molded with just steam. Heavy silk and lycra-blend knits are also very nice to work with.

　　What woman do you have in mind when you’re sketching those pelvic-bone-inspired silhouettes?

　　All sorts! And boys too, lets not forget about them! I have to say, though, I like women who have a somewhat aggressive sense of mystery about them. These days, if you manage to intimidate me I’ll probably find you a bit more inspiring.

　　That being said, my designs are not for everyone. I think it would be a little arrogant and naive of me to assume that my pieces or aesthetic can suite everyone. Adequate fit and structure is vital in the creation of each piece, which is one of the main reasons why physically, my pieces are not for everyone. It is very important to me that the garments interact effectively with the body; I want people to feel as if there is logic behind the cut of a garment. Each person has their own shape and proportion, people need to embrace that and dress their bodies accordingly.

　　All high-fashion, in general, is not for every person—it appeals to each of our different fantasies.

　　Do you see fashion as fantasy, then? Or is wearability an important consideration for you?

　　Wearability is a tricky subject, I have been criticized at times for making very structured garments and creating silhouettes that are somewhat…odd. But of course if you break each outfit down to its individual pieces you realize that the silhouettes might not be quite as aggressive at they were at first glance. No one is being forced to wear a top-to-toe look, of course!

　　How would you describe the Thomas Tait aesthetic?

　　I think it’s a bit early for me to be describing my design aesthetic in a precise manner. I don’t want to corner myself by making bold and pretentious statements. At this point, I think it’s best to let the visuals do the talking.

　　I have to ask…who designed the crazy high ankle boots the models in your show wore?

　　I did! I had them made here in London.

　　Which of the other students’ collections from the CSM show did you like?

　　I quite liked Trine Guldagers’s collection. She’s a fantastic menswear designer. She really has a refreshing outlook and understanding of the male body.

　　Which other designers have influenced your work?

　　Alexander McQueen was someone who really made me notice the “space” surrounding the designs. I think his manner of presenting collections helped me understand how to communicate a world or a moment rather than simply displaying garments.

　　Azzedine Alaïa has really motivated me to be extremely involved in the garment construction. His pieces all have a very distinct touch to them. There’s something about the way he works with fabric weight and proportion that is very him—you can always tell his hands were involved in the cut and construction of each piece.

　　Which other designers’ clothing do you think would complement yours best?

　　Tough question! These days I’m really tempted to see my clothes mixed up with very “unfashionable” garments. I think it would fun to see people wearing a structured runway coat with sports-mesh basketball shorts—or even tracksuit pants. As for a specific designer, I think Phoebe Philo has hit the nail on the head when it comes to chic and clean. What she is doing at Celine right now is quite a bit more feminine and lighter in spirit than what I do, but she has a way of making strict garments somehow end up looking very daytime-friendly.

　　What about celebrity designers—good for fashion?

　　Most of the time, no. However, I am happy to see The Row develop into a respectable brand with strong quality pieces. I think Ashley and Mary-Kate Olsen could have easily been an instant-success, celebrity power brand but they’ve chosen a different route; they are very quiet about the brand and are clearly developing it carefully. With their resources and budget, I find it extremely impressive that they have taken such a humble path.

　　What are you currently working on?

　　I’m looking into setting up a studio space here in London. But the number one priority right now is funding! I would really love to continue my work and develop a brand. Showing during Fashion Week here in London, or at the very least presenting some fresh work in an interesting manner would be fantastic. but in order for that to happen I need financial support. It’s a bit of a tiring story but sadly, that is the reality of being a young designer.

Ash leads gown war at Cannes

The new Robin Hood film kicked off the Cannes Film Festival in France with a bang on Wednesday night as Hollywood A-listers pulled out the biggest dresses they could find.

The film's leading lady Cate Blanchett's black, silver and white Alexander McQueen dress was overshadowed by juror Kate Beckinsale's and guest Eva Longoria's huge ball gowns with long trains.

Bollywood's Aishwarya Rai Bachchan, in keeping with her role as the resident L'Oreal girl at Cannes, also did the "international beauty queen" look by joining the train gown trend with a lilac ruffled Elie Saab gown.

Aishwarya attended the screening of the 130- million movie alongside Desperate Housewives star Longoria, also a guest of her employer L'Oreal. Ash's was an out and out L'Oreal appearance, right down to the of-the moment trailing dress.

So it was left to Mallika Sherawat, in Cannes for the screening of Hiss, to make an individual statement. The actress, who attended the gala dinner after the screening of Robin Hood, chose to make a rather understated ( by her standards) statement that verged on the elegant.

She did the sultry ethnic bombshell act in a risque low- cut gown off- set by a traditional kundan necklace.

Designer Ritu Beri said: "Aishwarya's gown was lovely. Though it's not easy to carry off a trailing dress, she has by now mastered the red carpet tricky dressing act." On Mallika, Beri said: "What stood out was how she matched an Indian piece of jewellery with a western silhouette. It shows she is spot on with her style."

While the designer gave both looks a thumbs-up, the more outspoken fashion blogs ruled in favour of Mallika. On highheelconfidential.com, a visitor said: "Compared to what she looks most of the time, this look is virtually flawless! Thank you Mallika for letting the twins stay in this time!" Another made the inevitable comparison: "I never thought I would say this, but Mallika looks miles ahead and above Ash with this appearance. Simple but handled flawlessly." The neckline, while daring, was not dangerous and a far cry from Mallika's debut on the Cannes red carpet. Then, she wore an eye-popping, cleavage displaying postage stamp size choli with a petticoat slit high on the thigh, prompting Indian designers to say she looked like she had worn a petticoat and blouse and forgotten to put on the sari! Adding to the gala's Hollywood glamour were Dame Helen Mirren and Salma Hayek, among others. Also in attendance was Robin Hood star Russell Crowe, who looked dapper in a Giorgio Armani suit.

Volare a New York, come le protagoniste di Sex and the City

　　　　Pubblicato da Assunta Corbo in In Evidenza, Viaggi.

　　Giovedì, 20 Maggio 2010.

　　

 

　　In fondo ognuna di noi si sente vicina alla personalità di una delle quattro amiche di Sex and the City. La fashion addicted per eccellenza Carrie, la romanticona e dolcissima Charlotte, la risoluta e determinata Miranda o l’eccentrica e trasgressiva Samantha. Diverse ma molto amiche, ognuna con i propri principi, sogni, desideri ma per tutte una certezza: New York è la città più bella al mondo. L’unica in cui poter vivere. In effetti la Grande Mela è la quinta protagonista della serie tv e lo sarà anche nel film di prossima uscita. E allora, perchè non preparare la valigia e viversi una New York come le quattro amiche di Manhattan farebbero?

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　　Passeggiare per le strade del centro di Manhattan con ai piedi un paio di Manolo Blahnik o di Christian Louboutin, infilarsi in un locale per sorseggiare un Cosmopolitan, godersi del relax in Central Park mangiando un gelato. Quante cose si possono fare a New York! Questa meravigliosa città dalle mille sfumature è la location ideale per una vacanza ma è anche il set di una delle serie di maggiore successo in tutto il mondo: Sex and the City. Le quattro amiche Carrie, Charlotte, Miranda e Samantha ce l’hanno fatta scoprire in ogni suo angolo e caratteristica. E’ tempo di concedersi un viaggio nella Grande Mela, magari con altre tre amiche, e di sentirsi un pò “Sexy” e un pò “City”.

　　Ma quali sono i luoghi simbolo della vita e delle avventure delle quattro amiche? A parte Times Square, Broadway, Fifth Avenue e Empire State Building, Midtown Manhattan è il luogo dove Carrie ha dato un addio strappalacrime all’eterno amore Mr. Big durante la sua festa di fidanzamento all’Hotel Plaza. E’ proprio qui che si trova Tiffany’s & Co., dove Charlotte ha scelto il suo anello di fidanzamento per il matrimonio con Trey McDougal. E sempre in questa zona, si trova la biblioteca di New York: lo storico edificio è stato lo sfondo della scena di Sex and the City: The Movie, in cui Carrie, indossando un abito da sposa di Vivienne Westwood, si è finalmente sposata con Mr. Big.

　　Altro luogo simbolo è Greenwich Village & Soho. Questa zona ospita molte boutique di stilisti famosi come Marc Jacobs, Ralph Lauren, Toosh e Lulu McGuinness. Ma sempre qui si trova il bar di Steve e Aiden “Scout”. E non perdetevi una puntatina dolce alla pasticceria Magnolia Bakery, dove Carrie e Miranda assaporano i famosi tortini.

　　Il Meat Packing District è uno dei quartieri più fashion di New York dove si trovano le boutique di Christian Louboutin, Alexander McQueen, Stella McCartney e Diane von Furstenberg. In quest’ultima Carrie posa per il servizio fotografico nel film di Sex and the City. In questo quartiere è possibile inoltre cenare nel ristorante di cucina asiatica Buddakan, dove Carrie e Big hanno fatto la loro cena prima del matrimonio. Il Meat Packing District era anche la zona dove nel telefilm viveva Samantha, prima di andare a Los Angeles con Smith.

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Blind ambition: After losing vision, Ukrainian fashion designer keeps creating

　　

　　DALLAS — As Sergey Ermakov describes one of his dresses, a friend pulls a slinky evening gown off the racks, bringing it close to ask if it is the one. "Yes," the blind couturier says as he feels its beaded white leaves trimmed with gold.

　　When Ermakov lost most of his vision at the age of 30 from diabetic retinopathy, a complication of diabetes that causes retina damage, he thought his career was finished.

　　"It was a very difficult period," said Ermakov, speaking through a Russian translator.

　　But the now 37-year-old said his need to earn a living and his love for fashion helped him continue.

　　Ermakov, who opened his own design studio in Kyiv at the age of 24, has lost about 95 per cent of his vision but can still see fabric colours if he gets very close. To create designs, he relies not only on his design team and his memories, but also on his sense of touch.

　　Through a Russian translator, Ermakov said he "can imagine by touch." He said he can also get an understanding of what a client wants just by talking to them. He sketches his designs and then turns to his team to turn them into reality.

　　"(Being) blind, it's a more psychological problem," Ermakov said.

　　Ermakov brought his luxurious designs to Dallas this spring for a fundraiser to benefit the American Foundation for the Blind's Center on Vision Loss and The Fashionistas, a group dedicated to promoting fashion with exhibitions, scholarships and educational programs.

　　He put on a series of events, including two fashion shows featuring dozens of his elaborate creations, which incorporate tulle, taffeta and silk with such adornments as feathers, beads, crystals, pearls and lace.

　　Ermakov's designs revel in colour, and include not only intricate details, but also a sense of whimsy. A form-fitting gown with pink and white vertical stripes hugs the body before turning to pink tulle mermaid skirt. A strapless gown in red skims the body and then flares out at the bottom. A strapless cocktail dress with a voluminous A-line skirt is an explosion of colours, with flowers in red and yellow among green leaves.

　　"Nobody was prepared for the clothes. The show literally took their breath away," said Heidi Dillon, founder and chief executive of The Fashionistas. "The work stands on its own and the fact that he's blind makes it so incredible."

　　Ksenia Karpenko, an editor for Kyiv's What's On magazine, said that Ermakov is famous in the Ukraine for his evening dresses and is considered the only Ukrainian designer who does haute couture.

　　When casting models, Ermakov would put his hand up around his eye like a telescope to better see the girls, said Jan Strimple, who produced Ermakov's Dallas shows. She called the construction of the clothing "extraordinary."

　　"He understands giving you the lift and the definition," said Strimple, who added that Ermakov's work has a "fantastical" element to it.

　　"There are several dresses that Tim Burton's heart would beat for," she said. "It's Tim Burton meets Bob Mackie meets Alexander McQueen."

　　Dee Simmons of Dallas, who has ordered two coats from Ermakov — one in silky black and another in python — expects many of his pieces to show up on the Dallas social scene. Simmons said every piece he had in the show was a "wow."

　　"It was entertainment. I did not want it to be over with. I just wanted it to go on and on," said Simmons, founder of a nutritional supplement company.

　　A lover of cowboy style since he was a child, Ermakov said he was excited to come to the Lone Star State and even designed a special gown inspired by the rodeo for his visit featuring a frothy skirt of white tulle and leather topped with a cowboy hat.

　　Carl F. Augusto, president and chief executive officer of the New York-based American Foundation for the Blind, noted that 25 million Americans have significant vision loss.

　　"Sergey's success story does what we like to do — shatter the myths about what is possible for people with vision loss," he said. "People with vision loss can be superstars too."

Scarpe Alexander McQueen: ballerine classiche

　　

　　Pubblicato da Assunta Corbo in Ballerine, Primo Piano, Scarpe Alexander McQueen.

　　Giovedì, 13 Maggio 2010.

　　

　　Siamo abituate allo stile un pò stravagante di Alexander McQueen, designer scomparso prematuramente per suicidio, e da sempre adorato dalle celebrities più originali. Penso a Lady GaGa ma non solo. McQueen esprime sempre al meglio la sensualità e la voglia di trasgressione che è insita in ogni donna. Ma questa volta abbandoniamo l’immagine a cui McQueen ci ha abituati e parliamo di un paio di ballerine dal tono decisamente più sommesso.

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　　Probabilmente non avremmo mai pensato di parlare di un paio di ballerine di Alexander McQueen. Eppure eccoci qua. Sul sito shopping Colette.fr ho scovato per voi queste deliziose ballerine. Punta squadrata colore blu intenso, fiocchetto romantico sul davanti. Insomma, un paio di ballerine che più classiche non si può.

　　E dire che di McQueen siamo abituate a conoscere modelli decisamente più stravaganti come zeppe altissime, tacchi scultura, scarpe impossibili da indossare come le celebri Armadillo. Ma McQueen ha pensato anche alle donne che non amano trasgredire a questi livelli e per loro propone un paio di semplici ballerine. Per il gusto di indossare un paio di scarpe Alexander McQueen.

Cate Blanchett in Alexander McQueen

　　

　　Pubblicato da Alessia Lucchese in Abbigliamento, Celebrity Style, Primo Piano.

　　Martedì, 4 Maggio 2010.

　　

　　L’amore di Cate Blachett per Alexander McQueen è cosa nota. L’attrice australiana ha infatti sempre dimostrato nel corso degli anni una predilezione per gli abiti dello stilista britannico recentemente scomparso, tanto da scegliere lui per disegnare l’abito del suo matrimonio. Non mi sono stupita quindi di vedere Cate Blanchett alla conferenza stampa del suo ultimo film “Robin Hood” indossare un abito della collezione Prefall 2010 di Alexander McQueen in anteprima.

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　　Che le celebrities oggi facciano a gare per indossare un abito di Alexander McQueen ormai non fa più effetto. Da quando il grande genio della moda inglese ci ha lasciato, abbiamo visto sempre più star di Hollywood scegliere le sue creazioni, dagli abiti avveniristici presentati durante le sfilate a semplici capi come t-shirt, come ha fatto recentemente Sarah Jessica Parker.

　　Ma un’attrice che ha sempre testimoniato negli anni la sua predilezione per gli abiti di Alexander McQueen è sicuramente Cate Blanchett, che ha scelto proprio un abito del grande artista per il suo matrionio. L’attrice australiana, in occasione della conferenza stampa del suo ultimo film “Robin Hood“, ha indossato in anteprima un abito della collezione Prefall 2010 di Alexander McQueen che ripropone un po’ gli stessi ricami geometrici della collezione Cruise 2010. E c’è da aspettarsi che l’attrice sfoggi una creazione dello stilista anche a Cannes, dove il film sarà presentato il prossimo 12 maggio.

The height, and price, may knock you off your feet

　　

　　Romanian shoe designer Mihai Albu's latest sandals have 12-inch heels. Because many women 'don't have long legs.'

　　

　　Romanian shoe designer Mihai Albu's new sandals are being compared to skyscrapers because of their towering 12-inch heels. But the price might also have something to do with it. They're selling for as much as $1,525. (Vadim Ghirda, Associated Press)

　　la-adfg-romania-skyscraper-shoes-20100508

　　Reporting from Bucharest, Romania

　　A designer known as Romania's "shoe architect" has come out with a pair of sandals that increases a woman's height by 12 inches.

　　The shoes are being compared to skyscrapers because of their towering heels. But the price might also have something to do with it. In a nation where the average salary is $575 a month, the handcrafted sandals are selling for as much as $1,525.

　　"Heels have an advantage because [many women] don't have long legs," said Mihai Albu, who has had a 20-year love affair making stilettos. "They reposition the waist," he said in an interview Wednesday in his Bucharest atelier.

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　　High heels have become fashionable, but Albu's are at least twice the height of those that international designers have been offering for the last several years.

　　For instance, in Washington last month, independent boutiques were strutting footwear that seemed revolutionary, such as apple-red patent and black stiletto heels. But the platforms were only 1 1/2 inches and the red heels 4 1/2 inches.

　　"This is unusual, but I think we can expect many other fashion houses to be doing this," said Marcellous Jones, editor of FashionInsider.com magazine. He said the late British designer Alexander McQueen, who died in February, used shoes with 12-inch heels in his last collection.

　　"They are impractical, but there are women who are brave enough to wear them. They get attention for the wearer and the designer," Jones said.

　　Albu, a former architect, blends math, architecture and art in his creations, which are more foot sculpture than shoes.

　　He uses French leather and encrusts it with jewels, feathers and mirrors, and taps into Romanian women's perennial love affair with high heels.

　　Despite the price, Albu says he has received dozens of orders for the sandals from Romania's well-heeled.

　　"I am creating a constructed chaos," he said, describing the footwear in architectural terms.

　　In addition to their breathtaking height, Albu's shoes feature special effects, and an appearance that varies with the angle. There's a sandal with an emerald heel topped by a skull mask out of which bursts a shock of peacock feathers. Another style features three heels, two of them purely decorative. There are boots that resemble a glass vase and unicorn-like boots with a heel in front.

　　And then there's the 12.2-inch-heel sandal, a construction of three black wedges.

　　"If a woman is 5 foot 9, she'd be towering above everyone if she wore these," Albu said.

　　Albu draws inspiration from Romanian sculptor Constantin Brancusi and Spanish architect Antonio Gaudi, and he avoids the mall.

　　"I keep an eye on major shoe designers, so I know what not to make," he said.

　　

Cannes 2010: Forget films. Check out Salma Hayek, Eva Longoria, Camilla Belle's one-shoulder gowns!

 

 

The Cannes Film Festival always draws beautiful actresses wearing gorgeous gowns at all the tres formal red carpet premieres and swanky soirees.

So far at the 2010 fest, the fashion A-listers include Kate Beckinsale in Marchesa, Salma Hayek debuting a maroon Gucci couture creation, Naomi Watts in a strapless pleated pink Gucci gown, Jennier Lopez in a gray Gucci frock, Cate Blanchett wearing a gown by the late Alexander McQueen, Eva Longoria in a white silk Pucci, and "Lost" star Evangeline Lily in a fringed Pucci.

Oh, to add a little more sex to the Cannes sizzle, Pamela Anderson was spotted at the Martinez, then returning to someone's huge yacht anchored in the port before promoting her new film, "Blonde and Blonder." Lindsay Lohan was rumored to be heading to Cannes promoting her upcoming classy film about the life of porn star Linda Lovelace.

No official sightings of LiLo yet. But another Hollywood has-been, Mischa Barton, was spotted walking down the Croisette, eating ice cream. Don't say it. Not to mention Bai Ling, spotted wearing a bikini, a long black cape and legwarmers for her film, "Shanghai Baby."

And the big buzz during the first week of Cannes? Is Michael Douglas going for another Oscar for his reprised role as Gorden Gekko in 20th Century Fox's "Wall street: Money Never Sleeps." Is that why the studio moved the film's release date from April to September, in time for those serious awards films? 

Remember he won a best actor O for his role in the original film in 1988.

Alexander McQueen committed suicide after taking drugs

　　

　　

　　McQueen took two overdoses last year, which his doctor called "cries for help"

　　Fashion designer Alexander McQueen hanged himself after taking a mix of cocaine, tranquillisers and sleeping pills, an inquest has concluded.

　　He was under huge pressure from work and "overwhelmed with grief" at the loss of his mother, the court heard.

　　The 40-year-old's body was found at his London flat on 11 February - the eve of his mother Joyce's funeral.

　　"The balance of his mind was disturbed," said coroner Dr Paul Knapman, recording a suicide verdict.

　　Following the verdict his family said they were still coming to terms with their loss and missed him "terribly".

　　'Huge low'

　　Westminster Coroner's Court heard that McQueen had a history of depression, anxiety and insomnia, had attempted suicide before and researched killing himself on the internet prior to his death.

　　McQueen's psychiatrist, Dr Stephen Pereira, told the inquest that the leading designer was diagnosed with mixed anxiety and depressive disorder.

　　

Usually after a show he felt a huge come-down - he felt isolated, it gave him a huge low

　　Psychiatrist Dr Stephen Pereira

　　He said the designer - who was also known as Lee - repeatedly missed appointments to discuss his condition.

　　"He certainly felt very pressured by his work, but it was a double-edged sword," he said.

　　"He felt it was the only area of his life where he felt he had achieved something.

　　"Usually after a show he felt a huge come-down. He felt isolated, it gave him a huge low."

　　Added to this was the distress he felt after losing his mother, said coroner's officer Lynda Martindill.

　　"He had been particularly close to his mother and following her death had become overwhelmed with grief."

　　Dr Pereira said McQueen "felt that was the one link that had gone from his life and there was very little to live for".

　　Suicide note

　　The designer had "killed himself while the balance of his mind was disturbed", Dr Knapman said.

　　He added: "It seems that he had a history of self-harm and, no doubt fuelled by cocaine, he resorted to desperate measures to end his life.

　　

　　McQueen's mother Joyce died days before him

　　"It's such a pity for a man who, from a modest start, climbed to the top of his profession only to die in such tragedy."

　　Dr Pereira said McQueen had attempted two drug overdoses in May and July last year which he described as "cries for help".

　　A toxicology report found that McQueen had taken a "substantial" amount of cocaine and sleeping pills and also a smaller amount of tranquillisers prior to his death.

　　He was discovered by his housekeeper, who arrived in the morning to find the doors of the flat locked and the security chain fastened.

　　A post-mortem examination found the two causes of death were asphyxia and hanging. The inquest earlier heard that he had left a note.

　　The inquest was told details of the designer's life, such as his love for deep-sea diving and for his three pet dogs.

　　

Those who were privileged to have known Lee [Alexander] will cherish their memories of him for all their lives

　　Family statement

　　It also heard the police had found a note, scribbled onto the back of a book in McQueen's room.

　　It said: "Look after my dogs, sorry, I love you, Lee."

　　A family statement said the inquest had "obviously been very difficult for the family as we are still coming to terms with the loss of Lee in such tragic circumstances.

　　"Lee was a public figure and a creative genius, who possessed a generous, loving, caring nature.

　　"Those who were privileged to have known Lee will cherish their memories of him for all their lives.

　　"Lee was also a much-loved brother and son and we miss him terribly. We will continue to make every effort to keep his memory alive."

　　Before McQueen died he had been making final preparations for his spring collection to be unveiled in Paris.

　　He was named British designer of the year four times after 1996.

　　His close friend, fashion stylist Isabella Blow who helped launch his career, killed herself in 2007.

Alexander McQueen - Biography

 

　　Alexander McQueen CBE (born Lee Alexander McQueen, 17 March 1969) is an English fashion designer.

　　

　　Born in the East End of London, the son of a taxi driver, McQueen started making dresses for his three sisters at a young age and announced his intention of becoming a fashion designer.

　　McQueen left school at 16, landing himself an apprenticeship with Savile Row tailors Anderson & Sheppard, then working for Gieves & Hawkes and the famous theatrical costumiers Angels and Bermans. Whilst on Savile Row, McQueen's clients included Mikhail Gorbachev and Charles, Prince of Wales. At the age of 20, he spent a period of time working for Koji Tatsuno before traveling to Milan, Italy and working for Romeo Gigli. McQueen returned to London in 1994 and applied to London's most prestigious fashion school, Central Saint Martins College of Art and Design to work as a pattern cutter tutor. Due to the strength of his portfolio he was persuaded by the Head of the Masters course to enroll on the course as a student. He received his Masters degree in Fashion design and famously, his graduation collection was bought in its entirety by influential fashion stylist Isabella Blow, who was said to have persuaded McQueen to change his name from Lee to Alexander (his middle name) when he subsequently launched his fashion career.

　　McQueen's early runway collections developed his reputation for controversy and shock tactics (earning the title "enfant terrible" and "the hooligan of English fashion"), with trousers aptly named "bumsters", and a collection entitled "Highland Rape". It has also been claimed that he was on income support and that he needed to change his name for his first show so that he could continue to receive benefits.

　　The president of LVMH, Bernard Arnault caused a stir when he instated McQueen as head designer at Givenchy in 1996, succeeding John Galliano. Upon arrival at Givenchy, McQueen had the nerve to insult the founder by calling him ??irrelevant’. Thus, his first couture collection with Givenchy was unsatisfactory, with even McQueen telling Vogue in October 1997 that the collection was “crap”. McQueen toned down his act at Givenchy, but continued to indulge his rebellious streak, causing controversy in Autumn 1998 with a show which included car-robots spraying paint over white cotton dresses, and double amputee model Aimee Mullins striding down the catwalk on intricately carved wooden legs. McQueen stayed with Givenchy until March 2001, when the contract he said was "constraining his creativity" was ended.

　　Some ofAlexander McQueen's accomplishments include being one of the youngest designers to achieve the title "British Designer of the Year", which he won three times between 1996 and 2003. He has also been awarded the CBE, as well as being named International Designer of the Year at the Council of Fashion Designer Awards. December 2000 saw a new partnership for McQueen with Gucci Group acquiring 51% of the company, and McQueen serving as Creative Director. Plans for expansion have included the opening of stores in London, Milan, and New York, and the launch of his perfumes Kingdom, and more recently My Queen. In 2005, McQueen collaborated with Puma to create a special line of sneakers for the shoe brand.

　　In the summer of 2000, McQueen married his twenty-four-year-old lover George Forsyth, a documentary filmmaker. The ceremony, which took place in Ibiza on a yacht owned by a friend of supermodel Kate Moss (who was also bridesmaid), was covered by the press in much the same way as any other celebrity wedding.

　　Alexander McQueen by the end of 2006 had boutiques in London, Paris, New York, Boston, Los Angeles, Milan, Rome, Nice, Cannes, Manchester (UK), Athens, Moscow, Tokyo, Osaka, Hong Kong, Shanghai, Beijing, Seoul, Jakarta, Bangkok, and Taipei.

Net-A-Porter Sells Out Of $6,000 Alexander McQueen Dress—How Much Will You Drop Online?

　

　　

 

 

　　

 

　　

Net-A-Porter.com

　　When Net-A-Porter started up in 2000, it seemed doubtful that people would buy premier designer goods off the internet, sight unseen. But the times, they did change, and now we’re all online shopping. However, it still seems shocking to us that shoppers drop thousands of dollars through e-commerce sites. For example, this famous Alexander McQueen dress retails for $6,375 and is completely sold out on Net-A-Porter. Other items people are scooping up? A Marie-Hélène de Taillac’s 22-karat gold bracelet for $1,805, a Fendi embroidered tote for $6,980, and an Alaïa leather belt for $1,335. Who are these people, and can we be their best friends?

　　Do you have a limit on how much you’ll spend on an item online? Especially if you haven’t seen it in person or tried it on? [Net-A-Porter.com]

Gilt Groupe's Travel Sample Sales Focus on NYC with Launch of 'Gilt City'

　　

　　Chain up your credit cards, because Gilt Groupe—the members-only luxury sample sale site that offers deals on everything from Alexander McQueendresses to vacations in the Maldives—is getting bigger. Please welcome Gilt City into the fold, their Groupon-like site for purchasing dining deals and experiences for a fraction of their price. Currently it's only focused on New York City, but as more people find out about it and sell out deals like this week's dinner for two at Rouge Tomate, we expect the cities will expand.

　　We've talked about Gilt and their travel sample sale site Jetsetter.com a fair bit here at Jaunted, and there's a good reason: they've created a whole new way to browse and shop for deals. It's a completely curated system that doesn't inundate you with too much choice and too little information. Several sales per week whip buyers into a frenzy and similarly educate about the hotels or designer fashion labels. We like it.

　　And now that Jetsetter has a direct competitor in the newly-launched Vacationist.com, Gilt is upping the ante with Gilt City.

　　To access the deals on Gilt City, or on any Gilt Groupe site, you must be a "member." It's completely free to join, but you have to know someone who is already on the inside. Like us. Here's a membership link to join right away. Current offerings at Gilt City include buying $20 worth of 16 Handles frozen yogurt for only $8, pay $175 for a wine workshop that usually costs $325, and paying $30 for a 3-step hair treatment at an upscale New York salon, where it usually costs $60.

　　All of these options sound like amazing deals for New York tourists who want the full NYC experience, and we're extremely curious to see what other goodies Gilt has up their sleeves.

　　In case you're confused about the sites, here's our complete Gilt Groupe breakdown:

　　· Gilt: The original. All luxury designer womenswear and accessories, with occasional kids and home goods sales

　　· Gilt Man: Luxury designer menswear sales

　　· Gilt Fuse: Lower-priced, younger womenswear and accessories sales

　　· Jetsetter: Upscale hotel and vacation package sales

　　· Gilt City: Currently NYC-focused deals on dining, beauty, services and events.

Naomi Campbell Talks Cell Phones on Oprah; YouTube Singer Lands Bra Deal

 

 

 

　　

　　Photo: Neil Mockford/Getty Images

　　• Naomi Campbell will be a guest on Oprah's Monday show. She agrees on the episode to sign a "No Phone Throwing Zone" pledge. [WWD]

　　• The Federal Trade Commission investigated Ann Taylor LOFT for offering bloggers gift cards in exchange for coverage (under new laws, bloggers must disclose what they get for free). But the FTC took no action against the company. [Fashionista]

　　• The latest look book for McQ by Alexander McQueen has a grungy, dark style. [Refinery 29]

　　• Esmée Denters, a singer who was discovered on YouTube and is produced by Justin Timberlake, signed on as the spokesperson for Wacoal bras. [WWD]

　　• Heidi Klum, Brooklyn Decker, Selita Ebanks, Jessica Stam, and Jessica White all landed in People magazine's annual Most Beautiful People issue, which is out now. [Modelinia]

　　• U.S. Olympic skier Bode Miller discusses his style: "I’m not very image oriented, so it makes it nice. I can wear whatever I want and not be concerned that everyone is laughing." [WWD]

　　• Australian brand Ksubi is considering launching shoes next year and hopes to expand its range of sunglasses. [Style File/Style.com]

Suzy Menkes Conquers San Francisco

 

　　

　　There was a small British invasion of sorts in San Francisco last week, when the Academy of Art University invited famed International Herald Tribune columnist Suzy Menkes as its guest of honor for the school’s annual student fashion show, thereby convincing the mayor’s office to declare May 6th, “Suzy Menkes Day in San Francisco.”

　　“It’s difficult to know what to wear in the circumstance,” an overwhelmed Menkes told Grazia Daily, before joking, “I think to celebrate I shall go out and blow my own trumpet in the middle of Union Square in the sunshine.”

　　The journalist, who has a son living in town, spent her namesake day speaking to students in a symposium before we caught up with her to discuss the on-going journalists vs. bloggers debate, and, specifically, Tavi.

　　“With all of these blandishments and all of the big designers around her, I feel for her,” said Menkes. “I don’t fear for her, because I think she has a lot of spirit. But being flown in for the couture by Christian Dior... It’s going to be a struggle. The fashion industry is so cruel. You’re the new and exciting 13-year-old blogger and next you know you’re 17 and there’s another 13-year-old coming up behind you.”

　　

　　Unlike other old school journalists, however, Menkes embraces the new breed of fashion bloggers, seeing them as an important part of the future of fashion -- a future that she feels will especially miss the presence of Alexander McQueen .

　　“It’s certainly very sad for fashion,” she says of McQueen’s untimely passing. “And it’s particularly sad because Lee was so committed to the new media. The show he did in England working with SHOWstudio and live-streaming it was so advanced and so brilliant. He got the whole three-dimensionalization of the world. He got Avatar before it was out. He got everything and I think that’s where he’ll be so missed.”

　　As for the future of fashion in San Francisco, a city not known for it’s sartorial prowess, Menkes is hopeful.

　　“I would love for San Francisco to do for the fashion world what it’s done for food,” she says. “I think it’s really amazing that the farmer’s markets that were here [decades ago] were considered a joke around the world. Now there’s a real push for people to understand green eating. I would love for someone to do that for fashion and I think this would be a great city to do it from.”

Fashion celebrity

 

　　Meet Simon Cowell’s twin in the fashion world, Julien MacDonald, who judges models in Britain’s Next Top Model.

　　IT was gratifying to finally catch up with Welsh fashion designer Julien MacDonald two weeks ago. Not only because his reputation preceded him but it had been impossible to arrange an interview as he had cancelled three times earlier due to his erratic filming schedule.

　　In Kuala Lumpur to shoot the final episodes of Britain’s Next Top Model (BNTM), MacDonald was amicable and charming, and not at all flustered about having his dinner interrupted by this meeting.

　　

Dashing designer: ‘I love dressing women too much,’ says Julien MacDonald.

　　The London-based design savant had been taught knitting at a young age by his mother, which sparked off his interest in design. He studied textiles at the Faculty of Arts and Architecture, Brighton, and then went on to obtain a degree in fashion from the Royal College of Art.

　　His star was certainly shining brightly as soon after graduation, Karl Lagerfeld roped him in to work for Chanel. MacDonald also had a chance to work together with the late Alexander McQueen , launched his eponymous label in 1997 and entered into partnership with Gruppo Lineapiu three years later. Soon after, he was appointed McQueen’s successor as chief designer at the Paris Haute Couture house of Givenchy.

　　His creations have been worn by celebrities the likes of Kylie Minogue, Geri Halliwell, Shirley Bassey, Carmen Electra and Naomi Campbell. MacDonald was named British Fashion Designer of the Year in 2001 and he also helped redesign British Airways’ flight attendants’ uniforms. He was awarded an OBE in the Queen’s Birthday Honours for services to fashion in June 2006.

　　

Models wearing Julien MacDonald’s designs for his Autumn/Winter 2010 collection at London Fashion Week in February.

　　Fresh from his role as a judge on Project Catwalk (the British version of Project Runway), MacDonald landed his current position on BNTM. He shares his love for spicy food and fashion with StarTwo.

　　What’s your take on Malaysia?

　　I knew nothing about Kuala Lumpur before this. I had bought guidebooks but I came here with an open mind. And, I’ve had an amazing time, experiencing the culture and meeting people, and of course, enjoying the hot weather! The beaches are lovely and the environment very different from the city.

　　As a famous designer from London, I’m quite a different fantasy for Malaysians. This place is a million miles away from where I live in Portobello market, which is like the heart of fashion in London. But, I love the fashion of the women in the city here – they dress in a particular way (because of the hot climate) and they are very glamorous, especially the ones in high society. They’ve got a sense of fun, love jewellery and shoes, and are not afraid of colour. And, they love shopping!

　　How are you adapting to the food?

　　I love the spicy food, the crabs and the funny desserts. This is the first time I’ve come across such a food culture where people eat all the time. But then, you never get fat! I hear eating chilli helps to keep you thin so I’ve been eating lots of that!

　　How is it being on BNTM?

　　It’s my first time being on BNTM and I haven’t really done much TV. I don’t want to be seen as a TV celebrity as I’ve got a successful business. My clothes are in major department stores all over world and I’ve got a loyal clientele. (My collection is also in Debenhams, and it’s amazing to come so far and see myself on a poster here, and KL people can buy my clothes.)

　　We started out with 24 girls and are now down to three. It’s always sad when someone has to go. They’re all different and come from different parts of world such as Malta and Jamaica.

　　I’ve been nicknamed the Simon Cowell of fashion on the show as I’m the objective one. Sometimes, you have to be cruel to be kind. When you have a young girl before you, some people you know will never make it. I tell them in a nice way, “Why do you want to be a model? Go back and study, and be a lawyer or something else, because you’re not good enough,” so that they can move on. It’s been an emotional roller coaster as it’s hard to tell someone your dream will never come true.

　　

(From left) Model Charley Speed, Julien MacDonald and stylist Grace Woodward from Britain’s Next Top Model sharing a light moment.

　　What does it take to be the top model?

　　It’s very tough. To win this show, you have to be good at everything. You have to be intelligent, be able to walk and people have to like you. Whether you’re promoting a watch or fashion brand, you need to convey the message in a positive way. They all want to be big, like Elle (Macpherson) or Naomi (Campbell). There’s so much competition from girls from all over the world but there’s only ever going to be one Elle or Naomi.

　　Tell us about your next collection.

　　I’ve just finished my winter collection and it was inspired by this erotic novel by Jilly Cooper. It’s about this group of English ladies who go horse riding and at night, they do naughty things! That’s the story behind the collection. At the end of the show, there were long chiffon dresses with lace that’s very feminine; it’s innerwear and outerwear mixed together.

　　What inspires you?

　　Travelling. I’m inspired by your Malay brocade. I like the textile culture over here, and will take it back and try to reinvent it in a modern way. If I have a creative block, I just stop and do completely different things, like scuba diving, read a book or go to the movies

　　What’s your favourite colour?

　　I like metallic shades – I love gold, silver and fire red.

　　What’s it like working with Elle Macpherson?

　　It’s been amazing. She looks incredible for her age. She’s very professional and she really cares for girls. This project is something she believes in, and she puts her heart and soul in it.

　　If you weren’t a designer, what do you see yourself doing?

　　I might do some more TV in the near future but I don’t want to be a TV celebrity. Otherwise, I see myself in the arts – dabbling in TV, a painter perhaps. I studied all my life to be a designer and I love dressing women too much. Fashion is my passion and TV is my hobby.

　　Who are the people you look up to?

　　Karl Lagerfeld, Andrey Hepburn and especially Marilyn Monroe. I like dangerous women! I admire the styles of people like Gwyneth Paltrow and Liv Tyler

　　What do you have planned for the future?

　　I would like to open my own shop one day, perhaps have my own fragrance and cosmetic line. There are many things I haven’t done. I would love to do clothes for men – there’s a market for glamorous men who like to dress up. And, I have a law degree you know – behind all this creativity, there is a brain – I am intelligent!

　　I love diamonds, pearls and jewellery. This has also been a good business opportunity as I managed to meet up with the owners of jewellery and pearl centre Rafflesia. I’ll be working on a project involving my new line of accessories in collaboration with them. I plan to come back later this year to feature an exclusive line of Malaysian-inspired couture gowns with pearls and embroidery, and shoes specially designed by Jimmy Choo.

Teresa Herrera: Project Runaway

 

　　　　

　　California girl: Teresa at Venice beach — not doing the downward dog.

　　| Zoom LOS ANGELES, California — It’s hard to meet Teresa Herrera without feeling like a major underachiever. Having graced countless magazines and ads all over Asia as a professional model, become an accomplished actor in Los Angeles, and in recent years, teacher of a unique brand of yoga (one that lets you dance!) and hosting the local franchise of the television hit Project Runway for two seasons, it makes me question: What’s her beef with free time?

　　When she does have some time off, though, she doesn’t laze around watching DVDs like the rest of us. This girl lives it up by traveling to the most exotic locales counting Croatia and the Caribbean as her favorite spots last year.

　　After living in Manila for two years, Teresa however has recently packed her yoga mat to relocate to her first home, the City of Angels: LA, where she signed on with a brand new management to explore hosting opportunities and maybe enter the world of producing. That’s not saying, though, that she won’t be back upon our shores. With the right project (a third season of everyone’s guilty pleasure, perhaps?), she’ll be on the next flight over to resume her commitments.

　　She drives around the big city in an eco-friendly Prius and picks me up to check out artist haven Venice Beach and nearby Abbot Kinney Road where she talks about hooker heels, cake decorating and why she cried yesterday.

　　PHILIPPINE STAR: Your image has launched countless products in Asia and beyond. If you could change one physical feature, what would it be?

　　TERESA HERRERA: My ears. I was a naughty kid growing up and my dad always pinched my ears whenever I was in trouble. (Laughs)

　　The downward dog got everyone’s imagination going. For you, which yoga pose still makes you say “Ouch!”

　　Koundinyasana: one leg twisting, arm balance.

　　What’s a random skill or habit that most people don’t know you possess?

　　Cake decorating! I grew up in a bakery and can decorate a five-tier stacked fondant wedding cake with my eyes closed!

　　What would be one thing you won’t be caught wearing?

　　Hooker heels. You know, the Lucite, clear plastic ones that scream you need to find the nearest pole.

　　Do you agree with the saying “First love never dies”?

　　Absolutely! It will always be that pure ideal that you compare most relationships to. “We were young and innocent then…”

　　What advice would you give yourself, 10 years ago?

　　Have more fun! I was very focused and serious about pursuing a career so that I opted out of most of the fun going on around me.

　　Honestly, how do you feel about Heidi Klum’s voice?

　　I like her! She’s so cute and bubbly.

　　What mantra do you live by?

　　Keep it real. Keep it simple.

　　Last year you were aboard a yacht in Croatia and swam under the Caribbean sun. Where is your next exotic destination?

　　Maldives, summer 2010!

　　So many girls nowadays labels themselves as “models.” In your opinion, who has what it takes among the new crop of emerging girls?

　　Internationally, I would have to say Chat Almarvez of Ford Models in New York. She is at the right place, at the right time, delivering the right goods! Plus, she’s Pinay!

　　Which film made an impact on your life?

　　The Godfather, Part 2. It taught me a lot about business, dealing with people, and how to always protect yourself.

　　Who do you follow on Twitter?

　　All the fashion magazines: Vogue, Elle UK, French Vogue and Status. Also, the news: CNN, Wall Street Journal, The Seantourage.

　　They say it’s the most important meal of the day. What did you have for breakfast?

　　Egg sandwich! I’m a big breakfast person.

　　You always seem composed and poised. When was the last time you cried?

　　Yesterday! I was watching the documentary, The Cove. I was really saddened by how people choose to be ignorant when it comes to depleting the world’s natural resources (dolphins in this case). It makes me really angry and I feel for the animals. I’ve been a diver for over 14 years and I’ve swum with these amazing creatures and it was magical.

　　You board planes more than the average Jane. What’s a staple in your suitcase

　　

?

　　Most of the time, I travel with the basics: jeans, T-shirts, cocktail dresses, awesome shoes and, of course, a bikini. You never know which beach or boat you’ll end up on.

　　It’s time to use the “f” word. Who are you a fan of?

　　In film and television: Anne Curtis because she’s such a good actress! I’m really impressed with her. I also love Oprah, Angelina Jolie and Cate Blanchett. In fashion: Alexander McQueen, Nicolas Ghesquière, Jerome Salaya Ang. In music: Jay Z, Die Antwoord, Bass Nectar, The XX. In art: Francesco Clemente, Barry Mcgee, Shepard Fairy.

　　What do you indulge in during your “cheat days”?

　　Dark chocolate, Sprinkles cupcakes, good red wine, Pinkberry frozen yogurt, Krispy Kreme, pizza... I keep all these goodies on rotation.

　　What’s the worst thing a guy can do on a first date?

　　Talk about crazy ex-girlfriends. Major turnoff! It makes me think, “Hmmm , what did you do to make her crazy?”

　　What do you love about LA that we don’t have in Manila; and what do you love about Manila that you don’t have in LA?

　　In LA: I really love my lifestyle here. I love that I can go hiking in the morning, do my meetings and shoots during the day, have dinner then attend an event all in one day. I have a wide range of interests and I like a lot of space.

　　In Manila: I love that my friends and family are just a text away! And I can take off to go diving for the weekend!

　　How is the dating scene different in both cities?

　　I’m not a “dater.” I know what I like — when I see it, I go after it.

　　You’re a Hollywood-trained actress. What do you like most about hosting?

　　Hosting is more like improvisation, it’s very spontaneous and in the moment. Acting, however, requires a little more prep time.

　　Who has the sexiest brain for you?

　　A man who can sustain my interest.

　　Who do you think have nice bodies?

　　Rodrigo Santoro and Monica Belluci.

　　You’re a California girl at heart and grew up in LA. What is the most Filipino thing about you?

　　I’m a family girl! I love, love, love hanging out with my family and miss them very much when I’m away.